Agreed. But here's what you haven't seen: her sweet sweet cans rendered in a perfectly artistic charcoal medium in the meta dual reality that exists between an object that exists in a movie, and the prop that had to be created for the film. Someone in the real world had to see her beautiful body, and then sketch it in charcoal, so Leonardo had something to hold in that scene... and that charcoal drawing is beautiful.

Think about that!