The Story of Dhola-maru believes the reality of love in the Love Songs

The Story of Dhola-maru believes the reality of love in the Love Songs
Dhola maru rah dua is a public language poem composed in the eleventh century. Originally written in Doha, in the seventeenth century, the composer reader expanded by adding some four-folds. It describes the love story of Rajkumar Dhola and Princess Maru.

Story of Dhola-maru

The story of this love dialogue is so much in the formula that the King of Puanga goes to Malwa province due to famine in his country, along with his family. Her childhood princess (Marwani) is married to Salkhkumar (Dhol) of Malwa, child marriage. With the arrival of the king, the king of Pangal comes home after returning. Salhkumar does not want to take his wife for being an adult. He does not even have the knowledge of this child marriage. Meanwhile Salhkumar gets married to Malvani, who is beautiful and husband-friend. Malvani has the knowledge of being a Maruti (Saud) and no message of Pangal gives it to his Malwa.

In the meantime, Marwani (Maru) sprouted eulogy is. Puberty shows its color on it. Here in the dream, he also gets a glimpse of the beloved. All appliances from the environment give him a lot of grief. He addresses his unique misery to Papiah, Stork and Kunj. The king of Punga comes with a horse dealer and talks about Malwa's Salkhkumar. Hearing this information shocks and becomes distressed. Salkhkumar is sent to the callers (Maanganahar). After reaching the clever destination of this song playing the songs, Salhkumar (Dhola) gives full knowledge of the situation of the Marwari. Dhola wants to depart for Puangal but Sout Malavani stops making excuses for him. The description of Malvani's heartburn, anxiety, mania, treachery, separation and helplessness is detailed in dhoots. In the end, Dhola leaves only departing and the Pangal reaches. Dhola and Marwani meet. Time lasts for pleasure luxury.

Then husband and wife return to their country, then they are saved from the traps of Omar-Sumara on the way, but a new adversity surrounds them. At night the snake of the desert (snake) smells. The situation becomes odd after looking at the dead body of Marwari and often the unconscious body. The whole atmosphere is filled with sighs and cries. Then Shiva and Parvati come out alive and make Marvan alive. (Meanwhile a yogi-yogini said that he can survive Maru, he gave Maru life again.) Then both of them returned to the castle, only then the dacoit's chief came to kill them, but the folk singers saved them. .Finally, he could return to his palace, after a lot of sorrows, a happy love story could become.
Dhola Maru Sakulal arrives at his house. Lives life with joy. There, even the clever dhola, the solution of the peace of mind, is also resolved. Marmati devotes more love and affection.

What was the basic form of this folk poetry? It's hard to find. It is impossible to find the story of the story that has been lost in the period of time. But in the context of the Rajasthani traditions of 'Dhola-maru rah dua', the work presented is known as a projection. If, for the sake of consideration, it can say that it is a collection of 'recurring songs' in which the attention of the stories of the events has been kept intact till the end. This key is basically found in Doho. The couple who initiate the tradition of Shringar Ras, go ahead and get rewarded in Bihari's Doho. Dr. Hajari Prasad Dwivedi has assumed the spirit of this poetry as the symbol of consciousness of public interest.

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