Tributo al artista Carlos Cruz Díez. Monumento al Sol. / Tribute to the artist Carlos Cruz Díez. Monument to the Sun
Bailarina: Valeria Damigella
CANON ESO 70D 18mm f/4.5 1/1250seg ISO320
Lugar: Monumento al Sol Naciente. Barquisimeto. Venezuela.
La obra cuenta con un total de 32 elementos cromáticos de geometría perfecta de largas y finas rayas azules, ocres, negras y verdes. Si se observa detenidamente la obra, podrá notar que cada uno de los 32 cuerpos que forman su conjunto, son diferentes durante todo el día y en relación a la hora en que se le mire, según sea la ubicación del sol, con el paso del día. Los situados hacia el norte tienen una temperatura cromática especial en determinado momento que se diferencia de los del sur. Igualmente pasa con los que miran hacia el este en relación al oeste.
En ningún momento la luz que reciben los hacen iguales o idénticos. Son constantemente disímiles porque son un exacto registro del tiempo, haciendo que toda la plaza se convierta en un gigantesco mecanismo de relojería astronómica, que a cada minuto va marcando el día, según sea la hora de la luz que percibe, ya sea de frente, de perfil o de espalda.
Así como de extraña es la configuración de esa escultura, la de su forma y la peculiar inclinación de sus planos, de esa misma manera son los cálculos que Carlos Cruz-Diez ha imaginado para conservar el perfecto equilibrio que tienen, para lo cual se ha valido de complicadas cifras computarizadas, para graduar los colores, las dimensiones de los paneles, la regularidad de sus líneas y su balance.
Bailarina: Andrea Freitez
CANON EOS 70D 18mm f/5.6 1/320seg ISO320
Lugar: Monumento al Sol Naciente. Barquisimeto. Venezuela.
The work has a total of 32 chromatic elements of perfect geometry of long and thin blue, ocher, black and green stripes. If you look closely at the work, you can notice that each of the 32 bodies that make up the whole, are different throughout the day and in relation to the time you look, depending on the location of the sun, with the passage of the day. Those located to the north have a special chromatic temperature at a certain time that differs from those of the south. It also happens with those who look to the east in relation to the west.
At no time do the light they receive make them the same or identical. They are constantly dissimilar because they are an accurate record of time, making the whole square become a gigantic astronomical watchmaking mechanism, which marks the day at every minute, depending on the time of the light it perceives, whether in front of it, in profile or back.
Just as strange is the configuration of that sculpture, its shape and the peculiar inclination of its planes, in the same way are the calculations that Carlos Cruz-Diez has imagined to preserve the perfect balance they have, for which it has been valid of complicated computerized figures, to graduate the colors, the dimensions of the panels, the regularity of their lines and their balance.
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