The Best 5 Movies of 2017

So many movies hit the theatre in 2017. If you cant decide which movie to watch, this list is for you..

1)LOGAN

Released: March 3
Why it’s great: Before the "MCU," Christopher Nolan's Bat-movies, and all three Spider-Man screen incarnations, there was the growing, gallant Wolverine from 2000's X-Men. Seventeen years of unwavering ferocity later, Jackman ends his warrior's story on a bedrock of history: in 2029, Wolverine is now a tall tale hero lionized in paperback; Logan is a whiskey-guzzling drunk numbing the past and courting death. Stewart's Professor X, a decaying psychic warhead, and Laura, a genetic prototype with claws like Logan, force him to become protector once more. While Mangold grants the gruesome, R-rated dreams of X-fans, Logan stands as one of the best comic book movies of all time by slicing through fatalistic philosophy and the true definition of healing. Wolverine's body can mend five-minute-old bullet wounds in a flash, but a lifetime of loss? Not in his mutant DNA.

2)BLADE RUNNER 2049

Released: October 6
Why it’s great: Thirty-five years after Blade Runner hit theaters (and about 25 years after anyone recognized the movie as a seminal science-fiction), one of Hollywood's premiere directors returns to the futuristic world to tell a inverted story -- about a Replicant grappling with his humanity -- that's even more poignant. A detective noir wash makes 2049 unnecessarily murky at times, but between stunning vistas of dystopian Los Angeles, the contemplative extrapolation of everyday technology, and Gosling's blood-boiling performance, where hero tropes go out the window left and right, Villeneuve sets a bar for sci-fi sequels.

3)JOHN WICK: CHAPTER 2

Released: February 10
Why it’s great: A run-on sentence of gun-fu prose, the first John Wick became an instant action classic when it dropped two years ago. Stahelski and Reeves meet impossibly high expectations with more brutal fights, windier shootouts, and a finger-lickin' helping of assassin guild mythology. You could remove every instance of Reeves's Wick planting a bullet in a foe's neck or taking a razor blade to the knee out of John Wick: Chapter 2 and you'd still have a badass movie, a testament to the intricate and loony world created by writer Derek Kolstad. At a time when most action movies settle for one trailer-worthy setpiece, this sequel gives and gives and gives until you scream bloody murder. Bloody bad guy murder.

4)A GHOST STORY

Released: July 7
Why it’s great: Lowery conceived this dazzling, dreamy meditation on the afterlife during the off-hours on a Disney blockbuster, making the revelations within even more awe-inspiring. After a fatal accident, a musician (Affleck) finds himself as a sheet-draped spirit, wandering the halls of his former home, haunting/longing for his widowed wife (Mara). With stylistic quirks, enough winks to resist pretension (a scene where Mara devours a pie in one five-minute, uncut take is both tragic and cheeky), and a soundscape culled from the space-time continuum, A Ghost Story connects the dots between romantic love, the places we call home, and time -- a ghost's worst enemy.

5)GET OUT

Released: February 24
Why it’s great: It's a short leap from the socially conscious sketch comedy of Key & Peele to the psychological terror (and resulting laughs) of Get Out. Peele's directorial debut begins as like an update of Guess Who's Coming to Dinner?, Kaluuya's Chris harboring the appropriate amount of skepticism over meeting the upper-crust white parents of his girlfriend Rose (Williams). As the weekend hours pass, Chris stumbles into a racially charged conspiracy that only Peele, a student of Wes Craven and horror masters of yesteryears, could conjure up. Littered with one-liners and laced with tension, Get Out is a ravenous masterpiece tailor made for America's current climate.