"Moonlight boy": if true love has color, it must be blue

Not to talk about the plot, not to talk about Oscar, nor to talk about the political correctness.

Just want to talk about the moonlight boy's photography, clean and pure idea.

The film is divided into three sections, the first section of the matinee and evening is 8:2, second 5:5, third to 2:8.

In only a matinee drama in order to reflect the Miami sun glare, even a lot of image is overexposed.

The movie was full of camera movement, has been holding, even the push-pull are poor.

Only the three key paragraphs of reconciliation have become a fixed lens. They are on the seashore with the drug dealers, the plane in the moonlight, and the reunion with the first love boyfriend.

With people's handheld photography, on the one hand, it presents a state of unease, the other is equivalent to a perspective.

This is especially obvious in the first section of the sea, the camera is almost flat with the water, and the immersion and the personification are particularly strong.

And driving home after masturbation, the lens is always behind, and there is a sense of peeping, showing the taboo of this feeling.

Of course, the most important thing in the movie is the help of the tone to the narrative.

In this film, blue can be interpreted as a representative of conflict and injury.

The little boy was bullying when carrying a blue bag, mom in the robbers when wearing a blue dress, wearing a blue dress first strike violently, when he decided to revenge or wearing a blue dress, blue motif throughout his life.

The third paragraph, and reconciliation of tonal gradation is critical to the male mother hair color deep resentment is blue, in the process of reconciliation in blue slowly turned black.

The film is a shallow deep background with a virtual focus, eliminating a sense of reality and creating a kind of dreamy feeling, and most importantly, the main character and the environment.

It is easily associated with Martin Scosese's taxi driver, which is limitless close to the character itself, showing the loneliness and incompatibility of the individual.

It was described as a movie, even if no lines still can be used to image narrative.