Polarity - Seven
"Polarity" – long but not completely gone – is back to present his version of Drum and Bass mixed with his adventures and visions on the new sampler "Syntax". "Syntax" is his way of communicating with the audience, to express himself, to say "I am back".
"Syntax" is a tragical approach to the Dancefloor, with yesterday's early dramatic art and tomorrow's technology. "Syntax" is a journey through open spaces, analog sound structures and nasty funkbeats.
The release is also pioneering a free high quality download for all fans of excellent music. Music is freedom on all counts. Music must be heard. Music is self-expression and shouldn't be degraded to a simple product.
Polarity's "Syntax" is simple, but with a message and desire for the future.
released January 1, 2007
Credits: Fabian Simonheit aka. Cruel Culture, Yvonne Richter, Daniel Feher,
Cover: Marie Schweiz ( marie-schweiz.de )
► Listen on DSound
► Listen from source (IPFS)
lovin the sounds comin from you! that noise floor is incredible. .
very rich ssssounds ..
would appreciate your feedback on this track of mine with some similar elements if you've got the time.. would love to know your thoughts!
https://dsound.audio/#/@treaphort/treaphort-tablets-from-the-garden
Great sound , not easy to find in this new era of music.
I love music and this sound really is perfect, I'll be waiting for the next post, very nice @polarity!
nice sound , gotta learn how to do it keep it going
Great , white and black is good to go
hermoso . me encanta saludos desde venezuela
itz so amazing.🎼🎵🎶🎶🎤🎧📣📢🔊🔉🔉🎵👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍💣💣💣💣💣💣💣
Congratulations @polarity, this post is the sixth most rewarded post (based on pending payouts) in the last 12 hours written by a Newbie account holder (accounts that hold between 0.01 and 0.1 Mega Vests). The total number of posts by newbie account holders during this period was 4183 and the total pending payments to posts in this category was $7584.04. To see the full list of highest paid posts across all accounts categories, click here.
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