aceh art and aceh culture

Aceh traditional dance art can be presented as a tour package with the availability of creative personnel who really understand and fondle the arts of Aceh which is also supported by dance artists who are fully dedicated to study seriously for the purpose of presentation of cultural tour packages .
The art of culture that belongs to the packages is very interesting because it shows to its own khasannya, the processing process requires the ability of aesthetics and future views in accordance with the ideal basis of society and not deviate from the personality traits aceh.yang Islamic society and do not save from the spirit of Islam and this is evident in a variety of dances, both for saman, debus, lupus and other traditional arts.
Here is the art of dance in aceh that is;

1.Saman Dance.
Saman Dance was created and developed by an Islamic figure named Syeh Saman, he created his poem by using Arabic and aceh languages with the accompaniment of hand movements and poems which in turn made seuasana be happy, chest movement, clapping above the knee, raising hands in turn with matching motion and speed being his distinctive cherry.

1. Laweut Dance
   Laweut comes from the word Seulawet, flattery to the Prophet Muhammad S.A.W this dance is offered by eight women who are also called seudati iring. This dance is used to convey messages in religious education and development.

2. Tarek Pukat Dance
   This dance is a dance that is lifted from the life of aceh coastal fishermen is making jarring "pukat" and catch fish with nets in the middle of the sea. The atmosphere attracts trawling in the hope of getting a much-expressed fish with a zeal of hard work and happy cheeriness that once sounds happy shouted sea handlers.

3. Cangklak dance
   Dance delegates beautiful, graceful, energetic and slightly flirty women with various accessories used in the elegant curves of her body, as well as complementary clothing that is always used and indetik with women such as umbrellas, fans, handkerchiefs, a combination of motion and dance that sells in Aceh a typical Malay dance from eastern Aceh.

4. Meusago Dance
   Meusago here is defined as angular, square and ending so full of problems faced and human worship with human beings, with various life faced and worship or relationship with God, this dance idea as a symbol of mutual cooperation and brotherhood is a form of unity, a fan of goods meaningful but simultaneous concomitant d describe to be one mneuji benefit for life.

5. Reach Daboh
   Rapai Daboh is a game of agility or immunity. The Rapai Daboh game consists of a sheikh with a title "Khalifah", some drummers (rapai), and some rencong or other sharp weapons, whilst they are beating a tambourine beating his beat while singing with certain songs continue to pierce the members bodies with the greatest, sometimes rencongnya become crooked, all of which are under the leadership / supervision of the caliph. What is the reason that their bodies are not eaten by weapons, this is according to them because of the conviction that the only one is the Almighty (God) whereas the creatures are equally powerless; so iron beings and humans are creatures. By the time the drummers are hitting the tambours as great as they are, the rencong players concentrate all their minds on the above beliefs, the least of which should not be swayed, and if a shake must be a weapon will eat their bodies.

6. Seudati Dance
   Seudati is a blend of sound art and dance art. Art Seudati is a type of art created after the standing of the Islamic community of Aceh that serves as da'wah and entertainment. Seudati also named Saman which comes from Arabic word meaning eight. Named saman because the players consist of eight people namely Sheikh and his assistants dressed in uniform, the pantaloons black or white pants, white long-sleeved shirts, at the head of the dancers wear tangkulok.

7. Rapai Geleng dance
   Rapai is a type of tambourine that is usually used to accompany a song or dance. The game of Rapai has been developed and is accompanied by beautiful songs and various pompous swings. This is a breakthrough appearance of a new dance called "Rapai Geleng". This dance is played by 11 to 12 dancers and each of them plays Rapai (small tambourine). While playing Rapai and singing songs, they perform various body movements ie hand, head, and others. The dancers' movements are almost identical to the Saman dance but use the Rapai. The dance is also very enjoyable and enjoyable.

8. Likok Pulo Dance
   Likok Pulo Dance today has become one of the obligatory dance for school students in Banda Aceh City as a local content art subjects. Because in the late 1980s the fate of this dance was almost extinct and re-introduced in PKA Pkan Culture AcehIII l988 until it has grown and popular among the people. The origin of this dance is developed in the area of ​​Pulo Besar Selatan within the cluster of Pulo Aceh, Aceh Besar District, about 30 miles from the City dararatan
   Banda Aceh. So this dance is also called Likok Pulo Aceh. This dance as a medium for the development of Islamic da'wah during the era of the Sultanate of Aceh was created by Arab immigrants who settled in the village of Ulee Paya brought by 12 male dancers while sitting kneeling shoulder to shoulder, with parallel position. In the village of Ulee Paya formerly performed on the beach on the sand as a stage and only dubbed a leaf mat mats or pandanus and performed at night as entertainment people while preaching. Usually this dance began to show puluk 21.00 WIB until dawn. Lycok Pulo dance movement composition started with a greeting motion of the head nod and hand that is covered by hip movement. The rhythm of the dance stretched and drifted to the left and right while chanting poems of praise to the Creator accompanied by the music of Rapai and the vocalist of Aceh poetry.